The Isolation of a Muse
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| Figure 1: Painting Camille Claudel Author Unknown |
Everyone wants to become something great in life. Everyone has some sort of goal they would like to accomplish. Even if you think you may not want to do something so extraordinary in this world, I believe there's at least one thing you are passionate about.
Camille Claudel was a vibrant, intelligent, women. She is an influential sculptor who was judged and not accepted by the world of art. The 19th century was a time in history where gender equality was not practiced, people's lifestyles more so females were judged and controlled.
Claudel is known for being Auguste Rodin's muse. Yet, she was so much more than just a muse. She created sculptors in which many people did not know how to understand them. She was rejected and isolated by the most important people of her life.
She was born in France on December 8, 1864.She was the eldest sister of three.
Her father worked on mortgages. Her mother was a housewife who came from Catholic farmers.
As a child, Claudel was fascinated with stone and soil. She took interest in studying at Academie Colarossi. It was one of the few schools female students were allowed to enroll. As a young artist Claudel was an inspiration to her peers and also her teacher/lover Rodin.
During the 1800's female artist were not given many opportunities so when they accomplished major task not all were praised like men, but were overshadowed. She became a well-known sculptor and designed many pieces that revolved around her life experience. Claudel was able to create a narrative of anything she wanted using marble and bronze.
Many people did not expect the work Claudel created to come from a woman. After her break up with Rodin, Camille established herself as an independent artist. As an independent women Camille struggled paying her own bill. Claudel's lifestyle was uncommon to see. Why? Well during the 1800's women were bound by their family or by a male. Seeing someone especially a female who is independent was very foreign and strange. Though she was praised by many eminent critics, Claudel's early work was produced under Rodin's name which only worked according to his favor. This left Claudel with no benefactors leaving her broke.
We see this happening in society women not being paid enough for their work but making less and allowing men to make more. Claudel felt the oppression as a woman during her time. She was alone, neglected, and her family was not supportive over her dreams. As she grew up she became more and more isolated within herself. She knew she was an important figure to the world but was not accepted.
Right now in our history, Claudel is recognized for her impeccable talent. She is known to be the most influential sculptors of her past. During her era the early 19th century, Claudel was a brilliant women. She is an influential sculptor who was judged and not accepted by the world of art. The 19th century was a time in history where gender equality was not practiced, people's lifestyles more so females were judged and controlled.
On March 10, 1913 she was committed involuntarily by her mother and brother to an asylum. Many of her friends as well as well as her doctors believed she did not need to be an in asylum. Her family was very bitter and did not want Claudel to be a part of society so they constantly rejected doctor's request for Claudel to join a family environment. They knew deep down her breakdown was due to the ignorance and hate of the world. As a family they should of been there for her and support her through her breakdown. They should've inspired her to create more of her work and be that figure she needed for herself. Not having that support from her mother or her brother really took a toll on her. Her father, who was the only person who did support Claudel, passed away during a time she herself did not know. Losing him was enough for her because he was the only one who really supported her and her craft. She died on October 19, 1943 spending more than 30 years in an asylum.
Bibliography
"Rodin and Camille Claudel." Rodin and Camille Claudel | Rodin Museum. N.p., n.d. Web. 15 Feb. 2017.
"Rodin and Camille Claudel." Rodin and Camille Claudel | Rodin Museum. N.p., n.d. Web. 15 FEB. 2017.
Bibliography
"Rodin and Camille Claudel." Rodin and Camille Claudel | Rodin Museum. N.p., n.d. Web. 15 Feb. 2017.
"Rodin and Camille Claudel." Rodin and Camille Claudel | Rodin Museum. N.p., n.d. Web. 15 FEB. 2017.
The Editors of Encyclopædia Britannica. "Camille Claudel." Encyclopædia Britannica. Encyclopædia Britannica, inc., 07 July 2015. Web. 14 FRB. 2017.
"Académie Colarossi." Académie Colarossi | Artist Biographies. N.p., n.d. Web. 01 Mar. 2017.
"The triumph of tragedy." The Economist. The Economist Newspaper, 07 Jan. 2006. Web. 01 Mar. 2017.
